-zero

LIMPL

<INTERMEDIATENESS>

an attempt to break out of the sameness of days, rhythms, everyday plots, to generate within oneself a core of exits

the interior creates a sense of strength, the walls are perceived as an insurmountable barrier, from which you can only exit through the corner opening

from a distance, the structure appears to be a solid, impenetrable volume. when viewed from a closer distance, the feeling of this rigidity and impenetrability is erased: it becomes clear that the solid heavy fences are assembled from thin metal plates

communication rings are galleries that connect the external and internal worlds of an object

​​contrast between the horizontal volume of the stadium and the vertical of the tower piercing it

A FEELING OF HEAVINESS TRAPPED INSIDE LIGHT WALLS - BOUNDARIES OF ENERGY FIELDS

A METALLIC IMPENETRABLE CORE FLOATING OVER THE WATER

<ISLAND>

DIALECTICS OF MOVEMENT ALONG VERTICAL COMMUNICATIONS-COLUMNS AND ALONG HORIZONTAL GALLERIES

A WALK ON THE WATER AMONG THE METAL FOREST

<hovering weight>

the concept of the stadium project as an idea of ​​the contradiction between massiveness and lightness, statics and speed

<THE CUB>

installation on the theme of the illusory nature of a wall as a shell between the external and internal worlds.

density and permeability //
hope and doom //
a clot of energy in the pattern of everyday life

<THE CELL>

architecture as a material shell for illusory worlds in which the sense of context, the certainty of scale are erased, where only the sense of time and energy passing through space remains